FCAJ
YOU NEED TO PAY ATTENTION TO FEEDBACK FROM CLASS WHICH IS NAMELY TO INCLUDE MORE SUSPENSE AND TENSION. WHILE THE CAMERAWORK AND CONTINUITY ARE FINE YOU NEED MORE CROSS CUTTING AND TENSION WHEN THE ANTAGONIST ARRIVES. YOU WILL ALSO HAVE TO CHECK SOUND FOR WIND MUFFLE AND INVESTIGATE MORE CREATIVE AND ATMOSPHERIC TITLES
jACK HAS WORKED HARD ON HIS EVALUATION QUESTION. THERE IS LITTLE EVIDENCE OF EFFORT FROM FREDDIE AND CAMERON.
A/C/E/N
I LIKE THE CENTRAL PREMISE BUT YOU NEED MORE SUSPENSE DURING THE INTERIOR SCENES. YOU WILL ALSO HAVE TO RESHOOT WITH MORE LIGHTING AND COULD ALSO BENEFIT FROM ADDING SHOTS SUCH AS THE ANTAGONIST WITH HIS PC AND THE ANTAGONIST IN THE WAREHOUSE
There are clear gaps here that need to be addressed. Alex and Enzo need to add much more detail to their sections.
R/J/O
YOU NEED TO ADD MORE TENSION. CROSSCUTTING IS THE BEST WAY TO DO THIS AS WELL AS THINKING CAREFULLY ABOUT ADDING A VARIETY OF SHOTS WITH A RANGE OF SHOT TYPES. YOU ALSO NEED TO INVESTIGATE MORE AUTHENTIC TITLES.
Ryan has made little effort with the evaluation. Other sections seem brief and need to be thoroughly checked.